Wednesday, October 28, 2009

The Eyes

The Eyes are one of those mythic bands that command breathless hyperbole in those that already know they exist, while those that are introduced to them newly, often by the same fanatics, offer a little bit of a shrug and say "Yeah, they're pretty good". I think it's those that find them on their own that get so worked up because there is nothing like finding a band that has been long neglected and bringing them down from the mound like the ten freaking commandments and trying to tell everyone they just have to listen, because they are "so amaaaazing!"

When it comes to music from 1963-66 I have a difficult time placing it within a strict timeline because things happened so quickly. My original instinct was to file these guys away as bandwagoners, but this guy at the Power Pop blog seems to understand their relevance more than me. Click through to it to hear the song that seems to unanimously be considered their best.

Original copies of this EP goes for like $200 on eBay, and the CD reissue (I've heard) only got a pressing of 500 copies, although you can still find it easily enough on Amazon and lots of other places. The original copy doesn't have a quarter of the material of the reissue, this track included, (it's a demo). I see no reason to even want to own the original vinyl, at least at the price people are reportedly paying.



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Tuesday, October 27, 2009

Suzi Quatro


As with most of the artists I've blogged about here, I know very little about Suzi Quatro. I don't own an album by her, and I've never heard any other songs by her. All of this is surprising, especially to myself, because this is probably my second most listened to version of Shakin' All Over that I have. It's a delight, and it feels like burning (the really good kind) for the entire duration. Especially that guitar solo! I honestly can't think of another that sounds anything like it.



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Saturday, October 24, 2009

Ricky Valance


Ok, no, not the La Bamba guy, who no one of my generation would know anything the eff about if it wasn't for Lou Diamond Phillips. This guy was, in fact, the first Welshman at number one. (according to Wikipedia). And like all Welshmen (or at least like that other Welshman), he injects a sort of safe, smarmy, sexuality into the song. It's fun, I suppose.



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